After a bit of an absence, I’ve just popped this painting on my shops for sale. I will post a bit more about my latest activities over the next week or two.
Finally, I added the bluebells with a mix of cobalt blue, white and purple. I dulled down over zealous greens and yellows, and added final details to the tree trunks.
I use Chinese calligraphy paint brushes as well as western square tipped and pointed sables. As I said before, when it comes to watercolour, for me, anything goes.
I worked on the detail here, trying to bring light into the background through the trees as well as on the leaves of the tree on the left. As I painted in all the foliage on the floor of the wood, I allowed the original purple that covers the paper to show through, especially on the bottom left – this helped me deepen the shadows.
I love using blocks of colour, letting the types of brushes I am using dictate the shapes on the paper; I started to illustrate the trees this way and added more depth to both the foreground and background.
I used a variety of blues, yellows and browns, including Prussian and ultramarine blue, cadmium yellow, burnt sienna and burnt umber to mix my greens, while painting more detail into the background and introducing colour and light to the foreground.